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EVOLUTION OF A TV SCRIPTSILVER SURFER is a comic book superhero created by Jack Kirby and Stan Lee of Marvel Comics in the Sixties. Being in many ways uniquely high-brow in its vintage execution, lemme overly simplify the storyline: Basically, there's this guy named Norrin Radd who lives on a planet called Zenn-La that's kind of like Tibet. Beings from around the universe go there to study its ancient teachings of peace and harmony. Our hero is destined to become the Dalai Lama, if you will, in love with a gal named Shalla Bal. But one day this creature called Galactus arrives. He's like a cosmic Great White Shark who exists solely by consuming the life-energy from planets. He's also about the size of Europe! In order to save Zenn-La, and vowing secretly to lead only to planets uninhabited by sentient life, our hero offers Galactus his services. But when Galactus agrees and transforms Norrin Rad into the Silver Surfer, he erases his memory (and vow) and sets him out unwittingly to locate worlds--both populated and otherwise--on which to feed. |
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When the Silver Surfer's memory is restored, he gets pissed. But release from service of The Devourer of Worlds is both a blessing and a curse. His identity remains that of the Surfer, with all the necessary superpowers and such, but he is branded evermore as the lackey of the awesome menace that has consumed myriad civilazations. And for his role in facillitating the genocide of countless millions the Surfer is reviled throughout the universe. Despite his noble efforts to somehow atone for his crimes, the Surfer continues on, determined in his quest to once again gaze into the eyes of his true love, Shalla Bal, whose whereabouts remain a mystery--as does the location of his home world of Zenn La. The TV series premiered on Fox in early 1998, becoming among the highest rated Saturday morning animated series ever. Marvel Comics stalled production, curtailing its second-season commitment. What follows is the approach taken to scripting episodes in which Story Editor Larry Brody, a longtime live-action drama writer/producer, and myself attempted to infuse a sense of live-action technique to daytime animation. |
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EPISODE #1875-07 "ANTIBODY"Teleplay by Larry Brody and Michael Steven Gregory |
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SECOND DRAFT: After over-wrought rendering of the
initial draft the notes arrive and we get down to the real business
of writing -- the rewriting. Among other notable changes, now we're
going to introduce a couple new characters into the story, the twin
incarnations of Eternity and Infinity...
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FINAL DRAFT: Stripping the extraneous, now we're getting close... ![]() REVISED FINAL DRAFT: Tada -- Neat and tidy and ready for broadcast! (Or at least some interpretation of it.) Now, on to the follow-up episode... |
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EPISODE #1875-09 "SECOND FOUNDATION"Teleplay by Larry Brody and Michael Steven
Gregory |
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FINAL DRAFT: We'll skip the middle-stuff other
than to say that cutting scenes of torture and baby killing, and overall simplification was definitely warranted. What I can say
about what you're about to read here -- that is the network approved script that went into
production -- is that, although vastly different from the First Draft, it's
interesting to see how the essence of story remains intact. Unfortunately,
the aired episode was hurt by drastic cutting of the final scene which
appears here, as it did in every previous version, and which was intended
to bring a kind of poetic symmetry to the entire story. It
all comes down to money, time, and slippery things we don't want to think
about at night, folks!
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